Weaving between two worlds...

Years ago I was asked about the Navajo Hopi land dispute. Since I had worked years before (I think in 1979) for free in a conference about returning the indigenous lands to the native people, I had very good documentation about several issues. It was a wonderful experience, and I thought it was high time to finally share the English text with you all. A few days ago fine combed the text, hopefully having left no mistakes or extra empty spaces behind.

Today's work was to get bibliography right. I am quite pleased with myself to have finished the job. Rereading  the long list with wonderful books a joy by itself. 

By the way I added a short list of some of my favorite Native American authors....

Alexie, Sherman, all his novels and poetry (He won the PEN-Faulkner award)

Bird, Gloria, prose and poetry

Boyne, Grace, poetry

Erdrich, Louise, her novels

Harjo, Joy her poetry and other work

Kingsolver, Barbara, her novels and High Tide in Tucson

Least Heat-Moon: Blue Highways and Prairy Erth

Marmon Silko, Leslie, Ceremony, her novels and poetry

Maurice, Kenny, his poetry

Momaday, Scott, everything

Moore, MariJo, her poetry

Rose, Wendy, her poetry: Lost Copper, Academic Squaw, Bone dance

Simon, J. Ortiz his poetry

Tapahonso, Lucy, her poetry

Tohe, Laura her poetry (No Parole today)

Welch, James, his novels

Of course my thoughts go out to Leonard Peltier, poet and political prisoner

Night at the opera- Elektra

A friend received from Klara, the classic radio station in Belgium, two VIP seats for Elektra, an opera by Richard Strauss, so I ended up in this bunch of opera going people, starting out with a glass of champaign and a divine chocolate mouse. I like to watch the filing in of people, to listen to the civilized hum of voices. The text, or libretto is based on a theatre text by Hofmannsthal. This seasons theme is 'Onmacht': Powerlessness... Max Reinhardt is the director of this chilling performance. The story: Klytämnestra, Elektra's mother  together with her lover Aighistos killed her husband Agamemnon. Elektra is out for revenge, she becomes crazy, delusional, bitter, scheming and is taunting her mother. Chrysothemis is the other daughter who wants love and to have babies. She wants to escape the logic of revenge choosing for life. Orestes, the brother, is thought dead but he is alive and quite willing to perform the avenging act for Elektra, who by the way had dug up the ax used to kill her father so that in a kind of poetic justice his two murderers are killed by the same weapon. (I always loved Greek mythology, yet the murders, the incest among gods and royal families would sometimes be too much... ) Back to music and art: The role of Elektra is quiet a load, the grandiose Gertrud Eysoldt is always present on the stage. It is a heavy role in this one hour and forty-seven minutes opera. The role of the younger sister Chrysothemis was in excellent hands, a real nice performance, Orestes too was great. All the character parts were excellent as was the choir.

Yet most destabilizing was the decor by Patrick Bannwart and Maria Wolgast. The queen had been offering every day animals to the gods to give her peace and the scene where these animals fall into and on the stage is gruesome. When the blood flows over the walls it is disconcerting. What to me was the message of this opera is that by shedding blood, only more blood is shed in the end. Rache, paying back, avenging, wraak, an eye for an eye... it doesn't work. Stop violence... Make love, not war...

Blood on the moon and Cormac Mc Carthy and the rest of the West

I was tired, so I switched on the TV and fell in a western black and white movie: Blood on the moon. I watch in fascination. The type casting and what to show and what not  was a pleasant surprise and also the bar fight, or the more serious encounters of fists and guns. The beauty was that it was all shadowy, so the violence was mostly unseen, yet the "bruiteur", the person responsible for the sound, did a wonderful job, making us hear the punches rather than seeing them. Also the women were smart, had common sense and were strong willed. Of course falling for the drifter who gets involved in the local dispute between an Arizona cattle rancher and local homesteaders. These disputes till go on, less violently but about water there are still issue between ranchers and the local population. In this psychological western Robert Michum is doing a great job being the good guy with dubious principles, just as Robert Preston. It truly is a film noir, where Michum from starting as a hired gun against a cattleman, falls for his strong willed, intelligent, brave yet maligned daughter and so Michum turns out to be the good guy after all. Yet that was not all on my lazy day. I turned also to Cormac McCarthy's All the pretty horses. I am always impressed by his precise writing, circle the words I don't know in his text, his language being rich and wonderful. More about that when I have finished the book...