Where Water Comes Together with Other Water / Raymond Carver

Joris Iven, composed, translated and introduced this new and fascinating book about Raymond Carver, born on July 2nd in 1938 in Clatskanie, a small town in the northwestern state of Oregon. His father kept the saws sharp for the sawmill. So he is a kid from an American working class family. The books opens with the line "I have had two lives. My first life ended in June 1977, when I stopped drinking." He wrote this in a autobiographical note. His first life, was the longest and without a doubt the least fortunate. His writing feels dark and threatening, probably because money and health were extremely precarious. He met Maryann, then 15 and they got married two years later. They had two children. It was usually Maryann who brought in the money. They were always studying, but is was Raymond's goal to become a writer. He followed a lot of writing workshops, creative writing courses and such. They were extremely poor, and it wasn't easy to get his work published.
The moved around a lot, he was a notorious drunk, the bottle of Vodka always under the front seat of his car. In 1977 he met Tess Gallagher whom he married not long before his death. In 1987 he was diagnosed with lung cancer, too late for a surgical intervention and soon afterwards a brain tumor was found. Radiation didn't work, the cancer kept coming back. He passed away on august 2nd, 1988. After his death A new path to the waterfall (1989) came out.
I like Joris Iven's translation into Dutch, keeping the dark feeling of thread.
Joris's introduction was also very helpful.

The Sahara Testaments

Well, loyal readers of this blog on which I sadly haven't written too much, know that I have been working on the translation of "The Sahara Testaments" Luckily for a venture like this I am surrounded by smart and kind people. I started out translating all two hundred poems. And then slowly I realised that publishing the full translation in Dutch side to side with the English would yield over 420 pages. Apart from the translation there were many cultural references, landscape elements, even political events which needed explanation.
Frank Devos was my first proofreader, and since we worked well together we would take several afternoons and comb thoroughly trough the translations. We realised more and more that publishing the complete volume in both languages wouldn't work for any publisher. Thus we came up with the idea of publishing the three first chapters. Still 133 pages. I must not only thank Frank but also Joke Van Leeuwen, President of PEN-Flanders and of course Tade Ipadeola for having written something that managed to stay with me, something that taught me a lot about Afrika and about writing. Joke caught still a few slip ups or inconsistencies in my spelling. So I am grateful that the text is now presentable to a publisher... Tade thanks for trusting me with your text. When the translation of the three first chapters of your book is published, we hope that you can come over. It would be wonderful that for the presentation you would read your poems in English and I could present them in Dutch. I'll have to sit down with Joke and she said she would approach the publisher Harold Polis. A new player on the Dutch/Flemish publishing market.

De Groene Waterman

Dear Friends,
today is the day that Sven Peeters interviews me in "The green Waterman", the nicest bookshop of Antwerp. He will ask questions about my translation of Sherman Alexie's works from his four first books of poetry. Up to now the book has been well received and people who have seen it like it. So After the interview I will tell you how it went. We will start at 4 o'clock.

Poëzie = Woede x Verbeelding

Sherman Alexie

 Now I am off to the preparation of the interview... More tonight!

Sven is a great interviewer and he was truly well prepared. He asked  questions  about the terminology like what is the correct term for 'Indian'? Is an Indian Nation always called a reservation?
Of course it was the poetry who won the people over. Several people bought the book and I  was practicing finding the right words for each inscription for the enthusiastic buyers. I think the bookshop also was happy. A friend 'Kris' came in late, the train had two long stops on the way to Antwerp. The terror threat not quite over, we are at level three in Brussels now. In Antwerp, nothing bad is happening. In order to make more publicity for the book Kris will approach "The Limmerick" in Ghent and then he will be the interviewer. I am a neophyte at this, so I am learning as I go.

In the discussion after the reading some commented that his poetry is very different, sometimes close to prose. So I decided to read them the following poem:

Een Onvolledige Lijst Mensen waarvan ik Wens dat ze Indiaan Waren

Kareem Abdul-Jabbar

Adam

Muhammad Ali

Susan B. Anthony

Jimmy Carter

Patsy Cline

D.B. Cooper

Robert DeNiro

Emily Dickinson

Isadora Duncan

Amelia Earhart

Eve

Diane Fossey

Jesus Christ

Robert Johnson

Helen Keller

Billie Jean King

Martin Luther King, Jr.

John Lennon

Maria Magdalena

Pablo Neruda

Flannery O’Connor

Rosa Parks

Wilma Rudolph

Sappho

William Shakespeare

Bruce Springsteen

Meryl Streep

John Steinbeck

Superman

Harriet Tubman

Voltaire

Walt Whitman

And it worked. People were moved by the names, they understood that in the work of a great poet everything can be poetry.

I thank Sherman Alexie for his work, Robert Hershon his publisher for making this publication possible and Leo Peeraer the publisher of poetry in Flanders with the best series of translations.

Sven contacted a friend in the States and was told Sherman Alexie is really big in the States. I hope he will be as well know in Belgium and Holland now.

In gratitude to all,

annmarie

The Sahara Testaments/ Sahara Testamenten by Tade Ipadeola: The proofreading

Proofreading the translation of the Sahara Testaments by Tade Ipadeola is as big an adventure as the translation itself. Frank De Vos was the first to make time for me and to date we have gone through the 17 first poems. Four more hours of hard work will be added this afternoon. Frank questions a lot of things in the text: for instance, in the original are quite a lot scientific terms. In English that is no problem because it stems directly from the Latin root. In Dutch one could keep the Latin word, but since the text of Sahara Testaments has a lot of names of city's, rulers, landscape elements which are typical African, and all the terms derived from Latin would make it hard for a dutch lover of poetry to read the text. So I have been checking on the right Dutch scientific terminology for these words. What do I mean? 'Onomastic totems' is a word or word combination most Dutch speaking readers would have to look up and seen the richness of Tade's language, they probably wouldn't bother to go and look it up, so I looked these kinds of words up for them and then it becomes 'naamkundige totems' and within the context it becomes clear that it is the place where all the names have been brought together so they wouldn't get lost...

An other example is 'constellation'. We have 'constellatie' but also a real dutch word 'gesternte' which would sound more familiar and to boot is a beautiful word. Here you see two different handwritings in and around the text... while proofreading.

Translation of poetry and of texts from a different culture

Having worked as an interpreter for the European Parliament I have wondered how a Romanian colleague would deal with a Finnish speaker or how a Portuguese interpreter would get the intention of the Hungarian speaker.

It is not about the words flipping them into the target language so that the words would be understandable. Rather in immersing oneself in a language one can grasp the strangeness of the other's circumstances and maybe understand the different cultural contexts, religious concepts and also every thing pertaining to daily and ceremonial life, to the daily hardships and joys. I have translated quite a lot of poetry by Modern Native Americans: Sherman Alexie's translation will be presented October 2nd in Antwerp. Sherman Alexie is Spokane/Coeur D'Alene Indian. His work is modern and deep, funny and ruthlessly honest. He uses irony and old cultural elements. He is a trickster who will confuse you and make you wonder and fill your heart with joy. He writes about pain in his unique way. He is a poet who challenges the translator, using among other techniques Fibonacci series in his rhymes, in another poem he has always the same end rhyme... Impossible in the target language. His world view, his translation of himself in his unique way is quite a gift. I hope the reader will enjoy his work 'On the backs of salmon' the metaphor I use for this translation. I hope you will be deeply touched by Sherman Alixie's poems I have chosen from his four first poetry books, published by Robert Hershon soul and body of Hanging Loose Press. A click on the image will enlarge it, so you can see the beauty of the books.

Sherman Alexie's books in Chronological order:
The Business of Fancydancing, Hanging Loose Press, 1992
First Indian On the Moon, Hanging Loose Press, 1993
The Summer of Black Widows, Hanging Loose Press, 1996
One Stick Song, Hanging Loose Press, 2000

A Sherman Alexie translation in Dutch has a presentation date

Sherman Alexie is a very special poet. He covers a wide range of forms. From his four first poetry books, all published by Bob Hershon's Hanging Loose Press, I made choice while reading them, translating one, then another one... When Face came out I was stunned... Fibonacci poems, poems with just one end rhyme ... I never found a solution for those technical problems. The choice out of the four first books however will be published in English and in Dutch by Leo Peeraer from Uitgeverij P. October 2nd will be the presentation in the "Black Panter Gallery" in Antwerp at the same time as the presentation of Lucienne Stasssaerts translation of André Chedid. We will interview and introduce each other.